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Thursday, January 18, 2007

Gunz Freestyle Part 2

Gunz Freestyle at HTMG Studios in BK part 2



-AS

D.O.T. Freestyle

D.O.T. freestyle at HTMG Studios in Brooklyn.



-AS

Gunz Freestyle Part 1

Gunz freestyle at HTMG Studios, part 1



-AS

Tuesday, January 16, 2007

YouTube Contest

We entered a couple of our videos in the youtube "how-not-to" contest. All you have to do is click the links below, and click "i like it" on the video page...

How-not-to Dance

How-not-to Play Basketball

Thanks! And if you haven't done so yet, please subscribe to our videos at YouTube.com/hiddentrack12

-AS

"Clap" by Gunz

Another sick new track to check out is "Clap" by Gunz, produced by Peter Toh. Check it out on the official Gunz Myspace Page at myspace.com/bibclique.

-AS

Gangstas by D.O.T. and Gunz ft. Peter Toh

Check out the new track on HTMG's Myspace Page "Gangstas" by D.O.T. and Gunz, produced by and featuring Peter Toh. This track is a banger, and I'm saying right now that you'll be hearing this on Hot 97 and all over the place very soon. To JB, JSzy, and JS, I give you my personal guarentee that you'll like this one. Woo woo.

-AS

Monday, January 15, 2007

The-Mag

The-Mag is one of the most respected online music magazines in the UK, and the rest of the world. They contacted me to re-send them "Truly in Love", and I asked them to check out the two new songs on Peter Toh's myspace page, "Runner" and "Sweaty Night". It turns out that they liked them a lot, and gave him the following review...

(The one factor that made me listen up when I put on this record was the slick vocal that permeates the first track, "Runner". Peter Toh may be from Brooklyn, but his voice resides somewhere altogether more relaxed and airy.

Once you've settled into to the great vocal, you're treated to a guitar lead, but trumpet-punctuated song that updates the brat-pack by a good 50 years or so. It's indie with a touch of world pop about it and it's got a great urban feel.

"Sweaty Night" is a similar idea, but with the indie aspect displaced by an old school reggae sound. The brass instruments make a more prominent impact on this song, drifting their counter-melody amongst the parts of the track that have a vocal.

Peter Toh has fluently adapted his ideas to suit two quite different tracks, leaving an undeniable fingerprint throughout the songs.)

I would like to give many thanks to The-Mag and to Steve for such a great review! For the direct link to the article,click here.

-AS